Moving past writer’s block

Have you ever been at a point where you’re just stuck and can’t think of what to write – and everything you do write sounds terrible?

Yeah. I’m at that point right now. But I’ve been here before so I know how to get out of it! And I thought I’d share that here.

It’s usually called writer’s block. And I guess I do think of it as writer’s block, though I know I’ve heard other names for it.

There’s really not much to be done about it except powering through and continuing to write. Write even though you think your work is awful. Write whatever random things are in your head. Keep working on your current project – just keep adding words. Chances are, your writing isn’t horrible, and you can always go back and edit. Don’t edit until later, though.

The other option is to take a break. It’s okay to not work on your current project for a few days. Sometimes, breaks are helpful. Over the summer, I took a month off of writing a project – I just wasn’t feeling inspired and needed a break from that one. I wrote another story in that time, and went back to it after a month. And surprise, I was feeling inspired and was able to finish that other project.

That won’t work if you’re writing towards a deadline. For a deadline, it makes more sense to just plow through and revise and edit later.

Right now, I haven’t been pushing myself too hard to find something new to start – college classes start soon! – but I have been looking. My fingers start to itch if I’m not writing something, so I’ll most likely start something new when I find something that speaks to me. (I will discuss inspiration and musings some other time.)

Good luck, and happy writing!

“The Ice Maiden” review

I don’t have a picture of this book, since I read it on kindle. Find out more about this book here.

Recently I read The Ice Maiden by B. D. Smith. It was an interesting book, especially since I don’t typically read murder mysteries, and I liked it okay.

I give it a 3.9 out of 5 stars. Mostly for plot.

Summary

Detective Doug Bateman partners with newly arrived Anne Quinn to solve a homicide in central Maine. As they research the murder of the young woman, it becomes clear that the killer is playing an elaborate, deadly game with them. The killer continues to abduct, torture, and murder young women as Doug and Anne struggle to catch him, showing off his superior intellect; as they investigate, it slowly becomes clear that there might be a deeper purpose behind the homicides. Continue reading ““The Ice Maiden” review”

Creating characters

There are a couple of ways I create characters.

The first way involves starting with someone I know – one of my friends, usually – and altering them. Maybe I change an aspect of their personality, by giving them a temper. Maybe I change the color of their hair from brown to blue. It’s a lot easier to write someone you know, and by tweaking them slightly, you can invent someone entirely different.

And, of course, putting them in a new setting will help with the differences. Dynamic characters undergo changes as they continue along their journey – the way the person will react is different from the way the character will react. As the character grows and changes, their reactions will change, moving even further away from their original inspiration.

The second way is to invent an entirely new character. This is harder, because you have less of a starting point, but I think it’s more common. Some of my characters walk fully developed into my head; others I have to work at.

My characters are a mix. Usually my main characters are based, at least partially, on people I know; my minor characters tend to be wholly from my head. Of course, this isn’t strictly true for every story – it really depends on where the idea for the story came from, which I will delve into later.

Happy writing!

Character development

Let’s talk about characters.

Characters are essential to nearly every story – well, okay, every story that I can think of. In fact, if I start reading a book and I don’t like the characters, I’m less likely to continue reading it. But we can talk about creating compelling and interesting characters later. For now, let’s stick to development.

There are two ways to develop your characters: direct and indirect. Both ways can be useful and can move your story along. Of course, there are limits to them, as well.

Direct characterization is when the writer simply states something about their character. Let’s say you want to convey that your character is deathly afraid of heights. Here’s how you would say it directly:

He was terrified of heights.

It feels very clunky, doesn’t it? Depending on the rest of the composition, it might flow or it might not. It’s just a fact that was thrown out there for your readers to enjoy.

Of course, you could use indirect characterization as well. Indirect characterization is when the writer doesn’t just say the trait about the character – they show it. Let’s use the character who’s afraid of heights again:

He refused to go one step closer to the edge of the cliff; the very thought of stepping closer made his stomach lurch.

It’s a bit longer, but it conveys the same thing. And it’s more interesting than just flat-out stating his fear of heights. Now we have a physical reaction along with the implied fear, and an indication of setting. There’s a cliff to spark his fear.

Personally, when writing, I prefer indirect characterization – but there’s a place and time for direct characterization as well. I usually use direct characterization when someone is thinking about another character or meeting them for the first time. We tend to think in direct terms – but we should write in indirect terms.

Good luck with your own characterization, and happy writing!